Sunday, May 31, 2009
Inexpensive Ways to Build Business Relationships
12 Guidelines For Relationship Building
1. Become a great listener. Commentary: If you want to succeed at building business relationships, try listening 80 percent of the time. Active listening is a great way to gain trust. It is the best way to find out how you can be helpful to potential clients and referral sources.
2. Be genuine. Commentary: If you are a strong believer in gun control, don't congratulate someone for the award they received from the National Rifle Association.
3. Follow up quickly. If you meet someone at a networking function and decide you want to get together with them, call or e-mail them within 24 hours to set something up. Commentary: Quick follow-up increases the chance that you will actually do it. It also increases the chances that the contact will remember you. Following up right away does not mean that you have to meet right away.
4. Don't get involved in activities that do not interest you. Doing things because you "should" will not work. If you don't like golf, don't play golf.
5. Avoid activities that do not feel comfortable or appropriate.
6. Relationship building takes time and cannot be rushed or forced.
7. Find out about people's interests by asking open-ended questions. For example: "What do you do for fun?" "Where are you going on vacation?" "What are you doing for the holidays?" or "What are you doing this weekend?"
8. If you meet someone in their office, you can get a lot of clues about their interests. Just look at what they have on their walls.
9. When reading articles, read with intention (Is there anyone I can forward this to? Is there anything in this article I can discuss with my clients or contacts?)
10. Find out ways to be helpful by asking: "What is keeping you up at night?"
11. Get in the habit of following up on small things right away. Timely thank-you notes are much more meaningful than cards that arrive three months after the fact.
12. While politics and religion can be very poor topics to discuss with a stranger, common political and religious beliefs can be a very strong source of connection. Commentary: the recent election is a good illustration of this.
By: Stephen E. Seckler
Thursday, May 28, 2009
A Great Place to Play Golf in Minnesota is Pezhekee National
If you are a long ball hitter and are looking for a challenging Minnesota golf course, this is the place to play. Pezhekee National measures 7,263 yards from the championship tees with a course rating of 75.2 and a slope index rating of 138. I played from the middle tees, which was a challenging enough experience for my game. The middle tees play at 6,592 yards having a course rating of 72.2 and a slope index of 132. You have to be prepared to face four par-4 holes over 400 yards when playing from the middle tee boxes. The shortest par-3 hole measures 151 yards. The remaining par-3's measure from 185 to 199 yards. Another interesting bit of local history on this Minnesota golf course is that each hole is named with a Native American Indian name, most revolving around the folklore of Princess Minnewaska and friends and enemies of her tribe that made this region of the state their home.
Pezhekee National is a Minnesota golf course that makes you consider risk-reward options. Aggressive play can come back to bite you if you hit an errant shot. You cannot blindly go into all the par-4 holes and hit a driver. There are many holes where calculated distance control, especially off the tee, is vital. If you simply want to play mindless golf and "grip it and rip it", this may not be the Minnesota golf course for you to play if you want to score well. On the other hand, if you are patient and play with a strategy you will have birdie opportunities. A perfect example of this is on one of the new holes, number 11, also known as Yo-he-wa, which is a 381-yard par-4 from the middle tee box. This hole plays to an island green. If you play your tee shot properly and the wind is not swirling you can have a birdie opportunity. On the other hand, if you don't place your drive properly or you get too aggressive on your approach shot double bogey or much worse is a definite possibility.
An interesting feature at Pezhekee National is the "19th hole". I know what you are thinking,and this is not a bar. Though there is a small clubhouse with a patio where you can enjoy a cold beverage after your round, the "19th hole" at this Minnesota golf course is exactly that, an additional hole to play after your 18-hole round is complete. This is a nice little 140-yard par-3 hole that was part of the decommissioned holes from the original nine. This comes in very handy to break a tied score or to see who buys the frosty cold beverages as you make your way down to the clubhouse.
Pezhekee National at Peters Sunset Beach Resort is an easy 2-hour drive from the Twin Cites area northwest mostly on Interstate 94 then concluding on one of several state highways leading into Glenwood. An excellent value in a family or group golf vacation would be to use Peters Sunset Beach Resort as a home your base and play unlimited golf at Pezhekee National; then make day trips to any of the other area golf courses within a 45 minute drive from Glenwood. Visit their website at www.petersresort.com for additional information on their Sports Special Package. If you are interested in being a daily fee player and not stay at the resort, the fees are quite reasonable. You can play 18-holes Monday through Thursday for $30.00 and just $35.00 Friday through Sunday as well as holidays. Golf carts are available for rental at $28.00 for 18-holes or $64.00 for all day. The all day fee comes in nicely when taking advantage of the Sports Special Package.
The pace of play at this Minnesota golf course, as is true for many of the rural golf courses, is excellent. We played our 18-hole round in just over 4 hours. I encourage you to take the opportunity this summer and visit any of the over 300 Minnesota rural golf courses for their excellent value, beautiful scenery, abundant wildlife, brisk pace of play and friendly staff members.
By: Dana Buttenhoff
Wednesday, May 27, 2009
3 Steps To Swing A Golf Club
Learning how to swing a golf club is not an easy process and takes time to perfect. A golf swing is an unnatural motion that you can only be perfected through practice. Also, you are most likely going to be nervous when you first Learn how to swing a golf club. After all, you don't want to make a bad swing in front of the other golfers. These emotions will affect your swing and performance.
Wouldn't it be easier if you could follow a few simple steps about how to swing a golf club? You could avoid many of the major mistakes that people make when they first play golf.
Follow these simple steps about the golf swing and improve instantly.
Step 1: Backswing
The backswing should be equally focused on the body rotation and club and arm extension. The backswing is a fluid and on-piece motion with a straight front elbow, although this can be hard to do in the beginning. The back elbow should be bent at around 90 degrees if possible. If you do all these things then your backswing will be smooth and consistent.
Step 2: Downswing
A lot of golfers make the mistake to think the downswing begins with the arms. It should actually start with your legs. You should move your knees, then thighs and hips forward to transfer your weight from back to front. By doing this this you will increase the distance you hit the ball. Remember, this movement is supposed to be smooth and fast, just like a snake when it uncoils.
Step 3: Impact and follow-throughNow this is the action part, which is the impact with the ball. You club shaft has to form a straight line with the left, which is the forward arm. Your weight needs to be on your forward heel to the outside and on the inside of the back foot. Your hands and wrist should turn so that the grip of the club points at the target where you want to hit the ball. Then the wrists should rotate over and elbows bend, with the head of the club behind you. This will give you the distance and control you desire in your golf swing.
Whilst all of this can seem like a very complex motion, as long as you continue to practice you will start to get used to this motion. Again, make it a point to practice your swing whenever you can, even if it just going through the motions at home. Your muscles will be trained and conditioned to the movement. It will seem natural after awhile.
Follow these 3 simple steps to improve your consistency, and speed up the process of learning how to swing a golf club.
By: Staffan Moritz
Tuesday, May 26, 2009
Dooks Golf Club: One of Irelands Best Kept Secret
It is surrounded by mountains on its three sides and alongside the Dingle bay. Dooks Golf club is a mixture of flat and wide greens for some holes and very high terrains on other holes. The course runs 6500 yards and offers some blind shots and obstacles. It has contrasting flat holes that are easily visible.
Formed in 1889, the Dooks Golf Club was suggested by the Royal Horse Artillery to the neighboring aristocratic golfers while they were training in that area. It is currently one of the oldest golf links in Ireland. The setting itself has offered most of its members and guests the chance to experience genuine Irish traditional culture and the prestigious traditions. If you’re looking for a peaceful environment, the Dooks Golf Club can give you that feeling perfectly.
It started as a nine-hole course and soon developed into an 18-hole course around near 2070. This was agreed upon by the members to add more holes.
Dooks Golf Club has offered a lasting impression to every golfer who has been there. The golfers would be astonished at the great scenery including wildlife and the topography. You will see the abundant number of flora that fills its courses and leaves an unforgettable memory to those who have experienced there.
If you enjoy the birds alongside playing golf, a lot of nesting ground for many beautiful birds can be found there. Skylark, Pennyroyal, and the Whimbrel are among them.
With the natural beauty, you can also see the modern state of the art amenities that have classical designs that display the history of Dooks Golf Club and its transformation into a world class link golf course.
Although the clubhouse has been restructured from time to time in the previous years, it still maintains a rustic and friendly feeling inside it. Irish and other meals are served in their restaurant as well as chilling drinks during the late afternoons in their bar.
Although not as popular as other golf courses, they are still one of the best one around and offers a different feeling than the usual more popular ones.
Only rarely negative comments have been left by previous golfers who have been there. The good thing is they're still returning there from time to time and still regard it as one of the best golf courses all over Ireland.
Dooks Golf Club can be found at Glenbeigh, County Kerry and should be considered in the top list of every golfer's plan to golf in Ireland. If you haven't checked this one yet, try it for once in your life and you'll see yourself coming back again.
By: Roland Washington
Tips and Techniques on screenwriting comedy part 2
The first global film star was Charlie Chaplin. He was asked to make films while still a vaudeville comedian, and he turned it down. He was working on his character the little tramp. Two years later he came back and had it perfected. He described the little tramp as follows: “Shoes too big, hat too small, pants too baggy, jacket too tight, you can’t tell if he is a rich man on his way down, or a poor man on his way up”. That is a visual paradox. It creates an unconscious question in your mind, and you want to answer that question. Paul Newman is a very good-looking actor. In a movie, he goes to a kitchen, picks up the old coffee grounds in the garbage can, and uses them to make some coffee. Here’s your visual paradox. This very successful looking person is seemingly down and out, and we want to know, what is his problem? It is not one thought “Good looking guy”, it is two thoughts. Woody Allen creates a character who should never end up with beautiful women, but somehow he does end up having relationships with them. You want to find out why. If you could create a visual paradox, you will have a much more interesting character.
PUNCTUATION
At the beginning, I want to slow down the reader’s eyes just a little bit. The reader is accustomed to seeing very rapid cutting in the movies, on television. But I do want the eyes to take in what’s on the page, to take in the jokes, but if his eyes are going too fast, they won’t take in anything. He hates to read, he wants to go through this as quickly as possible. So I am going to slow down his reading by using appropriate punctuation. Comas, periods, dashes, “ …”, I create breathing spaces. Even in dialogue, I will use “…”. I never write “pause”, because it takes energy to the eyes to read it. For short pauses, I’ll use “space, dash, space” ( - ), a longer pause may be “space, hyphen, hyphen, space” ( -- ), but most of the times I use “…” which is a full pause. Particularly for dialogue, you want to deliver with pauses. We don’t talk fluently and smoothly all the time. And two-third into the movie, the story stops being about a lot of things, and starts to narrow down about one thing. The movie moves very quickly to the last third. I’ll start dropping the punctuation, and shortening sentences, because I want the eyes to move more quickly, which leads to a faster heartbeat, to more excitement. So I’ll write two-word sentences, even one-word sentences. Example, a good one-word sentence is “Blood.” You don’t need anything else, such as descriptions. You put the location, that’s it, in order to move forward. Remember, a hundred pages have gone by, his eyes are more tired, you give him new things to keep his eyes energized, such as jokes, sexuality, physicality, “Wham!”. Intellectual conflict does not energize the eye. I am talking about writing in order to make a good living. I am not trying to wash away your deep thoughts. I am just talking about this: you want to get the check, use those techniques that I have developed over twenty five years, knowing who the reader is.
THE BATHROOM SYNDROME
I want the reader to actually want to turn pages not only for the first twenty pages, but for the entire screenplay. Even after I know they are interested in the story. I want the reader to finish the entire screenplay before having to get up to go to the bathroom. A guy over forty, who doesn’t like reading, chances are he is going to want to give his eyes a break, go to the bathroom half way through. But if I can make those eyes move nice and smooth towards the end, pages turning very quickly, you will find him read it with one sitting, and then he will go to the bathroom. If he goes to the bathroom, whatever emotional or action momentum built up is going to be hurt. He will have other thoughts, read a magazine, maybe get a snack; his mind will be cluttered with other things than your characters and their problems. But if you can have him read in one sitting, the momentum will build up, he will have a big laugh, get excited, then he goes “Wow! I think I like that!”. He will go to the bathroom and ask himself if he really liked it…
If he does, he now has to decide if he is going to commit fifty million dollars to making it, another fifty to advertise it… But, he will show it to other people, maybe senior members of his team. That is why I am using these techniques. As a writer, you are creating a relationship with the reader. It is a seduction, even though the writer should stay invisible.
A GOOD STORY
What is a good story? In a nutshell, if it happens to me, it is a good story (laughter)… In the sense that if I am personally emotionally involved with the story, the better the writing will be. I am talking about habits to take on the page, to give the reader’s eyes a positive experience. For the past 15 years, my approach was to ask myself : “How am I going to write this movie? What is the reason that keeps me going back to the table everyday? What am I trying to achieve for myself, not money wise, but as a writer?”. And once I think I got that, things go pretty smoothly. There is no formula. It is different each and every time.
By: Alex Vachon
Monday, May 25, 2009
Tips and Techniques on screenwriting comedy
An interview with Len BlumMontreal, March 27, 2006
Len Blum has written many hit comedies in the past 30 years, such as Over the Hedge, The Pink Panther, Heavy Metal, Feds, Beethoven's 2nd, Meatballs, Howard Stern's Private Parts. He lives in Montreal.
Len Blum:
Let’s discuss the physical experience at the movie theatre. The audience paid their money for a good time, their body feels pretty good. The very first joke in a comedy is very important. Because it either gives them the confidence that they are in good hands, and their chest begins to open with the first laugh, their voice relaxes, it gets easier to laugh. So they feel that they made a good choice, the anxiety goes away, or they begin to worry ... “that wasn’t very funny, maybe I wasted my money” . The chest and the throat tighten, the second laugh is even harder. So the first joke needs to be strong.
Sometimes if you laugh a lot, your voice will actually hurt at the end of it. And you can hear the audience laughing. Certain things are funnier to women, with high laughter, other things to men. Very often, one person has a very funny laugh. Or something happens on the screen, you don’t find it that funny, but you hear the funny laugh, and you go “hey, somebody out there thinks this is funny” and it makes you laugh. So that vibration gets shared, and it becomes a powerful physical experience…
THE HOLLYWOOD READER
The important reader is a person who can sign a check that will deliver a lot of money to the writer. That reader tends to be a man over the age of 40, sometimes you get a woman in which case you are luckier, they are more patient, their eyes will move more slowly and they will take it in better. Chances are, it will be a man over 40, and the first thing you need to know about him is that the Hollywood reader hates to read. Repeat that: HE HATES TO READ! He has a staff between three and thirteen people, who read everything that comes in. They have a young Chinese woman, a young black man, a young MBA from Harvard, they all read stuff that come from agents ( a lot of stuff), because these readers form a large cross-section of the audience. Each reader might read 10 pieces a week. Only one of those pieces is good enough to be sent to the Hollywood reader. These are scripts or books, but they won’t be treatments or synopsis (a treatment is usually pitched in person , for three or five minutes). And the person who is pitching is very open to ideas, it usually is not a set thing. If the executive suggests ideas, or changes, the writer is responsive to them.
It is a team sport. So let us say the Hollywood reader has 10 readers sending him one script each. He has ten scripts to read on Saturday morning. He hates to read. He wants to go play tennis, gold, have a swim, or watch movies on the screen, but he cannot until he finishes reading those 10 scripts. He is expecting that they will all be "shit". He is motivated to throw the first one in the garbage can, as soon as he can. So if he can reject it on page one, it is a good thing. At this rate, he can go golf by ten in the morning. He picks up the first script, the first thing he does is look at how many pages it contains. If it is 130 pages, he thinks “this asshole, thinks he is gonna keep me interested in hundred and thirty pages, let’s see!”. He is feeling negative, he has got a chip on the shoulder, and if he can reject it on the first paragraph, he will throw it away. If he sees the script has 119 pages, he will feel okay, if it is 109, he will feel good, it won’t appear too long.
His eyes will start in the upper left hand corner, page one, and it will move to the bottom right-hand corner. Job number one is legibility. It means that his eyes have to have the easiest task of moving, which means no complicated words – use the shorter simpler words – and minimum description. Don’t describe a room with four pictures unless one of those pictures becomes a murder weapon. You don’t mention anything specific, unless it plays a part in the action. Describe the room in 2 or 3 words, so that you convey the attitude of the decoration, for example, rather than the details. Understand that his eyes are going to go much too quickly! So job number one, give him an easy time, and you want to slow down his eyes by creating some interesting things.
At the end of page one, something has to compel him to turn to page two. He would rather throw it in the garbage. That “thing”, for my purposes, is a joke. Then as he is reading, his eyes are moving smoothly, nothing complicated intellectually, he laughs, visual stream freezes, he still sees the joke, chest is pleasantly shaken, eyes re-attach to top left corner of page two, hungry for the next happy experience. The eyes are going to move down to the bottom of page two, happier than it was on page one. Where should the next joke be? On the bottom of page two. The reader will be greatly disappointed if there is no joke. He is going to think “Maybe the thing is running out of steam”. If he laughs again at the bottom of page two, he will turn the page.
The next best thing, if you don’t have a joke, is a compelling question, at the bottom of page one. “Did you sleep with her?”. He will turn the page just to find out if he slept with her – a very simple transaction. This approach is very important for the first twenty pages. Why? Because the Hollywood reader has no emotional commitment to your story, he does not know your characters, he doesn’t care about their problems yet. By the time he gets involved, it becomes easier to turn the pages. It is a relationship, and you the writer, are manipulating the reader. A little treat at the end of page one, to make him turn to page two. You have to keep those pages turning to increase his sense of commitment and interest in your characters and their problems.
You cannot introduce their problem on page 25, you will not get him to page 25, their problem, or the extraordinary event has to happen rather quickly. YOUR JOB IS TO KEEP HIS EYES MOVING SMOOTHLY AND HAPPILY, WITHOUT A LOT OF WORK, AND KEEP THE PAGES TURNING.
Within that architecture of the page, there are a few things that I do. I have a paragraph of description, let’s say a 3-line log, then I have dialogue. Let’s say the first and second lines are very long, and the third one is just 2 words. This is not good. His eyes are a muscle, and he is over 40. His eyes get tired easily. Here, his eyes are going from the far left to the far right, twice. Then he has to jump in the middle for the dialogue. I would rather have a three-quarter length line, a second three-quarter length line, and the third line would be half the page, so that it ends right above the dialogue line. That said, I want this to be logical syntax.. I don’t like to end the line with a word like “of”. It looks funny, it is incomplete. Sometimes, I will end the line with something like “and”, because I want his eyes to find out “and what?”. You are manipulating his eyes all the time. I know this sounds like a lot of work, I know you want this to be about your brilliant idea , but he will not get to the content, unless you reward him all the time, for keeping his eyes moving and turning pages, that is your first job.
THE CHARACTER NAMES
The names of characters: no 2 names should begin with the same letter, or should be the same length. A character name is like a brand name. A very good character name is for example AZA, because the reader’s eyes don’t even have to read it, he can tell from the way it looks who is talking. You can have a character named Beatrice, but you can’t have another character named Bettina, because remember, he wants to play golf, he hates reading. Try to have the main characters names have a look, that he will take in. The name is a logo.
Introducing your main characters, generally, the first reference does not use their name. “A young man, filled with energy, walks into the room, and trips over a dog. This is Bobo”. You give him an action before you give him a name. The action has to be a distinctive happening. So you first have the picture, then you have the label. Then, right after you give him a name, you go over to the dialogue “Who put this god dam dog here?”. These are not strict rules, but for a comedy, if he says something funny, then our reader gets to laugh. You established a positive relationship. Or if he is the villain, you visualize him doing something evil, you see the name, and then the villain says whatever evil thing he wants to say. The villain has to say something more imaginative and more creative than the reader expects. The villain has to be smarter than the reader expects. The first thing the characters say is a wonderful thing, that sets the character in the reader’s mind. Unless he is a silent character, as a Ninja, he can come in and kill someone and leave. But he still has to do something distinctive; he still has to paint his mark on the forehead of the victim, before he leaves. Then you know, you are dealing with an interesting character.
THE EYES
In movies, they say it is about this (Len indicates a close-up of the eyes with his hands). The close-up is the most important shot in any movie. The eyes are in fact a window to the soul, and the actors who become extremely successful can say anything just with their eyes. When Rudolph Valentino died (he was the first romantic silent movie star), thousands and thousands of women threw themselves to the ground weeping and screaming because their lover had died! Why was he so powerful? Cinema was relatively new, and his eyes would say “Now, I’m gonna make love to you”. The women would be turned on by him because the message in his eyes was so powerful, they would have a physical response. Film still operates at that level. John Travolta is very successful because, as he says, he has a very transparent face. You could see what he thinks, what he is feeling, it is not that hidden. He is not overacting and you can just see what he feels.
So how does the writer deal with the eyes? When we want to provide a look into the character’ soul, into his emotions, after the character’s name (in the dialog mode), you put brackets and write “eyes brightening”, or “eyes narrowing”, because the reader suddenly feels he is looking into the character’s face. You can do that only for main characters, only at the most important time, as a way to look into the character.
CHARACTER DESCRIPTIONS
The main female character in my most recent screenplay was described something along the lines as “She is so beautiful you can’t stop looking at her. She is so beautiful, you hate yourself for looking at her, and you wished you could stop, but you can’t. She is just that beautiful. Her name is … “. You might think it is pretty transparent, but in fact, when the actress reads it, she is saying “that’s me!”, because she is beautiful and men have responded that way to her beauty. What she wants is to magnetize the men, unconsciously. So she identifies with the description, and so does the studio executive, who wants to put her in his movie, because he thinks she is so beautiful. Not every character has to be beautiful, of course, but if you are writing for a beautiful woman, I use that kind of language because I am selling it both to the executive, and also to the actress.
The description of your main male character is about energy, or attitude, such as “he has a special magnetism, that is almost never seen, but when you see it, you know he definitely has it”. It is bullshit, but they believe it! Then you give him a good initial action, so that he is memorable.
By: Alex Vachon
3 Amazing Golf Training Tools
There are many golf training tools on the market and they range anywhere from instructional videos to radar equipment to calculate the speed of your swing. You can watch Instructional videos in the comfort of your own home and are an excellent to really observe how to play golf correctly. Another benefit, if you are a beginner,is that you will the fundamentals of the game of golf.
These are 3 of the most popular golf training tools and they are designed to work on different aspects of your game.
1. the Power Stance Trainer the Impact BallFirst, the Power Stance Trainer is perfect for those golfers who have problems shifting their weight during their golf swing or have difficulties aligning themselves properly. It is currently the only golf training aid on the market that focuses on the lower body and how it affects your swing.
2. the Medicus Dual Hinge Driver/IronThe Impact Ball is a rather unique invention for golf training tools. It will help you hit the ball square in the face, thus allowing for better direction and greater distances. Placed correctly between your arms, the Impact Ball is a golf training aid that is sure to improve your swing. If you swing properly, the Impact Ball will stay in between your arms and not fall down. The tool will create the perfect alignment between your body, hands, and wrists. The Impact Ball is without a doubt one of the best golf training tools on the market.With the Medicus Dual Hinge Driver/Iron, if you hit the ball correctly the hinge will not break. Using the Medicus Dual Hinge Driver/Iron is sure to improve your game with great ease.
3. Speed StikThe final golf training aid, the Speed Stik, will help increase the power and speed of your golf swing. This is one of those speed tools that let you know your swing’s speed as soon as you swing. It will also help you strengthen your muscles that are used for your swing, which in turn prevents injury.Using golf training tools is a proven way to improve your game to levels beyond your imagination. Golf training tools are not only used by beginners but also advanced players. They have worked exceptional at bringing golfers under par and lower scores.
By: Staffan Moritz
Saturday, May 23, 2009
Golf Basics - Build Your Foundation First
And the great thing is - it is people of all age groups, genders, race and social strata. I have really been enjoying working with every type of golfer.
The first aspect of the game of golf that I talk with about a person or group of people that are just beginning to take up the game is that learning to play golf is going to take some time and much patience. In fact, the patience part never goes away in this great game!
The second aspect (or at least real close to it) that I speak with beginning golfers about is practice; and the amount you spend with quality practice time will get you to the point in your game you want to be.
Everyone has different ambitions and expectations as to how far they want to take their game. Whether it's just a spouse who wants to learn enough of the game and the golf swing to enjoy an afternoon with their significant other, or someone who one day wishes to play competitively, the game of golf can accommodate. But, it's fundamentals and practice that will get you to your goal.
At its core of the game of golf is the golf swing. Your golf swing. How you start out learning the mechanics of the golf swing is crucial. Don't skip the basics! Learn some fundamentals before you even begin to tackle the swing.
The grip, the stance, the setup to the ball, and your posture, is the foundation from which you must learn the golf swing. If you don't spend the time early on ingraining these aspects into your physical psyche, you'll not (if ever) consistently strike the golf ball. So, make sure when you are working with your instructor, you don't just start whacking at balls. Make sure you build the proper foundation with the aforementioned elements.
When you do progress to actually swinging the club, I like to have people start with middle iron (usually a 6 or 7 iron). In my opinion, the middle iron is the best club to begin learning the golf swing. With a six iron, for example, the ball placement is in the middle of your stance. This means that as you progress to higher and lower irons you will have a benchmark to work from. Also down the road, if you swing begins to trouble you, I usually suggest that you get back to your basic neutral position club of the six iron and get your rhythm and timing back.
If you are just beginning, you must understand that the longer the shaft on the club, the longer it is going to take you to consistently and accurately hit the golf ball. It's just the physics. I see way too many beginners want to rush to justice and hit the driver and they never learn the proper swing. Always learn, tune, and groove your swing with a middle iron. Then work to keep that mindset as you climb the ladder of your clubs.
From you middle iron placement your longer shafted clubs will find your ball placement more toward your front foot's instep; while your shorter irons will have the ball work more toward the back foot's instep.
But before you do any of this, make sure you start with your foundation. Make sure that when you speak with your teaching professional you let them know that you want to spend time with and make sure you understand the concepts of the grip, stance, alignment, and posture. This will ensure that you don’t build a house of cards with your golf swing that will always be tumbling apart.
Once you get past your first couple of lessons of working on the foundations, don’t forget them. Always, always, always, be cognizant of your grip, stance, alignment, and posture even as you begin developing your golf swing. Be sure to incorporate a quick check of these before you engage your swing.
And finally, we come full circle. Be patient with yourself and spend time practicing. If you do, you’ll realize the wonderful rewards that the game of golf returns in a much sooner fashion.
By: Jeff O'Brien
Selecting a Golf School - What's Important to You?
At the end of the day, people go to golf school to learn to play golf and all of the other facilities have to be ranked in accordance with personal preference. When considering a school, it is important to explore its teaching principles. Ask if the school welcomes students of all ages and abilities. It is very beneficial for absolute beginners to have the opportunity to mix with and observe more experienced players. Check to see if the school caters for a particular age group - sometimes this is the case.
Find out the student to instructor ratio. The cost of one-to-one tuition is usually prohibitive and attending golf school will usually be a lower cost option but it is essential that the student instructor ratio is low to ensure that the student will still receive adequate instruction in a group environment. Tuition in large groups is not to be recommended as too much time is lost whilst the instructor manages the group.
Many schools now offer a wide variety of high tech gadgets and training aids to assist the student to model the perfect swing and also to analyze their own efforts. Whilst all of these gadgets look very impressive and they undoubtedly have a part to play in teaching the novice, nothing beats quality face to face instruction with a professional who knows and loves the game.
When making a decision about which golf school to attend do not be afraid to ask about the instructor's qualifications and experience and also his or her status with the PGA. The very best way to learn is from someone who can play, and play well. Classroom theory is fine but it is experience and the practical application of the theory from which students learn most.
Price may be a factor when considering which golf school to attend and, as with all things in life, the cheapest is not always the best option. Rather than looking for cheapness look for value for money, there is a distinction. Calculate your budget and decide how to spend it. Consider taking fewer lessons at a better and probably more expensive school if funds are restricted.
Remember, learning golf, as with the learning process of any new skill, can only be accomplished if the student is prepared to practice. It really does not matter how good the school nor how good the instructor if the student is not willing to translate what he has learned into practice on the green.
By: Armando Rodriguez
Golf Tips - Getting Started
The best way a beginner can begin is by learning what NOT to do. So, for the novice getting started, the game entails entering a world with a rich and varied history, a major investment of time and money, a demanding physical and mental learning curve and last but not least - days with huge amounts of "FUN"!
Now, don't go running out and spending a small fortune on things you don't know anything about. Such as course fees, golf lessons, and golf attire. Some courses are not worth the fee nor are the costs for equipment claiming to be of high quality. The clothes and lessons can also wait for a time.
The newness and the joy of finding a sport that you can play alone, with friends and spouses, or even with the whole family is part of the excitement. Learning to play golf well can be an emotionally exhausting experience not to mention expensive. Take some time and do a bit of research. You'll not want to enter into this without being armed with what you need to know.
Learn to take baby steps first and remember to have fun and not take yourself and everything else too serious. The pros will generally advise against spending too many weeks on the driving range at first, claiming you may develop some bad habits that are difficult to break once you start playing on the course. However, spending a bit of time on the driving range can be beneficial, helping to get the muscles moving, discovering if you've got any inclination or interest in the game and an idea of what and where to use what clubs.
Find a cheap course and wear comfortable, baggy clothing that doesn't restrict your arms and shoulders. Save that $1,000 you'd spend on pants, shoes, and shirts for later. To start use a simple three club set you can borrow from a friend or use a clubhouse rental. A Nine iron, a wedge, and a Number 5 wood is plenty. Actually the wedge won't get much use on a driving range, but you can add a putter and move to the putting practice area later. Some have miniature versions of sand traps to practice escaping.
Take it easy, watch those who hit well and imitate their grip, stance, and posture. Tee up, keep your eye on the ball as you swing, and give it a firm whack. If you miss a few, so be it. Have Fun. You're teaching your body what the swing feels like, what angle and impact produces what kind of flight.
On the putting green, start very close to the hole — no more than a couple of feet. When you can make 25 putts in a row more or less consistently, move back to six feet, 10 feet, 20 feet — no farther. 'More or less' consistently — even the pros sometimes miss a two-footer!
Whether driving or putting, stand so that a casual push wouldn't knock you over. Golf is about balance, concentration, and some simple physics. Now, go have a cool drink in the clubhouse and enjoy the day.
By: Art Luff
Friday, May 22, 2009
Golf Equipment: How to choose the right Iron Set?
By Susan Chen
Famous people seem to love being golf players?
By dave stanton
Were Golf Tournaments Invented So That You Could Safely Beat the Pants off Your Boss ?
By Simon Mosrite
Interactive golf search engine
By dave stanton
Thursday, May 14, 2009
Why Choose an Electric Golf Trolley
If you are looking for a golf trolley to use to conserve your strength throughout the game, then your best bet may be one of the electric models that are currently on the market. You can find these golf trolleys in all sizes and colors, and since they are doing all the carrying work for you, they will help you conserve your energy for that perfectly executed golf swing on the eighteenth hole.
Why Electric?
When you are playing golf, one of the most valuable assets that you have are your hands, arms and shoulders. If you have been carrying round a full bag of clubs (and other assorted golf gear) all day, then chances are that you will not be in the best of condition for executing that perfect swing. If you can imagine golfing without carrying the bag, then you can also imagine how much better your game would be if you use an electric golf trolley.
Once you have all that weight off of your arms and shoulders, you will have plenty of strength for the game, even if you do hit four over par on every hole. An electric trolley will also help you if you have been ill, or you are unable to carry your golf bags any longer.
How It Works
The trolley will run using batteries, and can be either manually controlled or controlled by a remote. You can also purchase a wide variety of accessories for your trolley and bag, including rain covers, battery chargers and tool sets that are designed specifically for your product. While these accessories are not necessary, they will be very helpful if you want your new trolley to last for several years to come.
These electric trolleys are also goof for the posture as you do not have to bend over or twist your back to pull the carrier along. All you need to do is walk normally, and guide the carrier alongside in front of you. This is an excellent option if you have had back injuries in the past, or if you are just learning the sport and are still working on building your muscles.
Benefits
The main benefit of using an electric golf trolley for your clubs and gear is simple. You will exert less energy than carrying your golf bags, and save more energy for your game. This extra physical and mental energy will allow you to improve your game and lower your handicap. Why not borrow one for a day, or even hire one, to see if its for you. I'm fairly certain that once you feel the benefits, you will want one for yourself, and start looking around at all the various brands and models.
The costs of an electric golf trolley will vary, depending on which brand you choose, which version or model you want, any additional features you want, and of course, who you buy the trolley from. You can often find great bargains online, especially if you comparison shop for a little while before you make your purchase.
By: David James
Electric Golf Trolleys - Inspire Confidence, Conserve Energy
The Confidence Stow-a-Matic electric golf trolley for example uses a powerful 24Ah battery to transport an entire set of golf clubs and accessories from tee to green - allowing the player to walk between holes whilst maintaining a good posture. A complete set of golf clubs and accessories can weigh up to 20kilograms - an electric golf trolley reduces the risk of damage to important muscles in the back and neck - allowing the player to concentrate on improving their swing. The addition of an electric trolley can also decrease the time between holes allowing you to cover the golf course faster and reducing the waiting time between tees.
Manufacturers have reacted to the growing demand by increasing supply which has lead to falling prices - the electric trolley is no longer a luxury commodity, but considered to be an essential addition to a golfer's arsenal.
In most places electric golf trolleys are fairly common and are almost the norm. These days you hardly ever see people walking the course, pulling on their traditional trolleys filled with golf accessories. However, over the years as golf has gained increasing popularity, now more and more people play golf. These electric golf trolleys are relatively fast and help to cover the course faster, thereby substantially reducing the wait time on the tee.
The additional benefit of maintaining balance and body symmetry throughout the game can also be attributed to using an electric trolley; pulling a fully laden golf trolley can strain muscles which can affect a player’s overall performance. Golf requires players to pay attention to the finest of details, throughout the game in addition to a high level of fitness and stamina. Unless you can afford the services of a golf caddy or an electric golf buggy - electric golf trolleys can help you to keep your game above par and to outperform the competition through saving valuable energy used on walking the entire course and carrying or pulling your golf equipment along.
Thanks to manufacturers like Confidence Golf - the Stow-a-Matic electric golf trolley can be purchased from £149.99. The patented foldaway design allows the entire trolley to be stored conveniently in transport whilst its lightweight aluminium frame is straightforward to assemble in under a minute. All controls for speed and power can be accessed at the touch of a fingertip. The success of the Stow-a-Matic has lead to the introduction of a titanium GT model for 2009.
By: David Potts
All About Different Junior Golf Equipment Pieces Explored
There are many different types of junior golf equipment that can be considered by individuals who are looking to get themselves or their children into the game of golf. Before one can begin to play the game of golf, they need to be prepared for what the game of golf will require. There are different pieces of equipment that can be used by the individual, either to make sure that the individual can learn to strategize with the game of golf better, or just in order to enable the individual to play the game at all. Golf is a very fun sport for those who are interested in it. The world of golf can be highly competitive, but it is also very possible for golf to be relaxing and refreshing.
When an individual is more comfortable with the game of golf and prepared for it, both mentally and physically, it is possible for them to enjoy and excel at the game more easily. Preparation helps individuals to feel less inhibited and successful. Children can be especially self conscious about their activity in sports, which is why it can be so helpful for their parents to explain the game to them before they are presented with the junior golf equipment that they would be using while playing the game.
There are some pieces of junior golf equipment that will seem obvious, and other items that may seem to be less obvious. Of course, an individual will need the correct golf clubs and golf balls. These are the basics and the necessities of junior golf equipment. In addition, it will be very helpful for youths to have a golf club bag, in order for them to easily carry around their equipment. One of the best investments that a person can make when it comes to junior golf equipment is to get a bag with wheels on it. Even junior golf clubs can be heavy at times, and a child will be more capable of moving their clubs from one place to another if they are able to pull or roll the bag around. This will also help to limit the change of injury as the result of a youth carrying a golf bag that is too heavy for them.
Other, less obvious pieces of junior golf equipment would include golf socks and appropriate golf clothing. The socks are to be placed on top of the golf clubs and it helps to keep them clean and neat. There are also some types that can be places over the clubs in order to differentiate between the different types of clubs.
For the individual, having the right type of clothing and shoes is important in order to make sure that they are comfortable in the environment in which they are playing. This is because many people will play worse when they are not comfortable. It can help to have a glove in order to keep the grip on the club. These are not necessary pieces of junior golf equipment, but they are often very important and vital to the individuals that begin to use them.
By: Jeff Seward
Wednesday, May 13, 2009
Best Guide to Buy Golf Equipments for the Beginners
By: Gerry Rechards
Beginners Guide To Golf - Your First Set Of Golf Clubs
By: Toby Savage
Guide to Golf : The Right Mentality Brings Victory
By: Sutiyo Na
Read About Professional Golf
By: Jeff Seward
Tuesday, May 12, 2009
6 Tips On How To Play Better Golf
By: Sutiyo Na
Information On Junior Golf Training Equipment
By: Jeff Seward
Choosing A Golf Putter
By: Lee Macrae
A Review Of Junior Toski Golf Equipment
By: Jeff Seward
A Little History About Golf
By: Jeff Seward